October gave me two great books. First, hats off to Mary Shelley and the 200th anniversary of the novel Frankenstein: The Modern Prometheus. If you haven’t read the book in a long time, get the recent Penguin edition that reprints the original 1818 text with a new intro. Then, as a companion piece, watch the National Theatre’s live stage play on the big screen, Frankenstein, 2018 Encore. I saw it with friends at The Little Theatre during my visit upstate. You might need to hunt around for a theater that’s showing it, but it will be worth the effort. Promise!
I became a Michael Connelly fan a few years ago, and he’s now my favorite working writer of detective fiction. I’ve been knocking off his books in no particular order. I recently read The Concrete Blonde, a Harry Bosch novel, the third if you’re counting (originally pubbed in 1994). It’s one of the best I’ve read in the series so far. If you aren’t familiar with Connelly, check out his work, and read this exquisite feature piece in The Guardian.
One final note to my cherished few readers. Here are the ordering and social media links for the Nov/Dec F&SF where my Italian folktale “The Baron and His Floating Daughter” appears. It’s a great issue. Enjoy!